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The next day they sent her to the psychiatric hospital because she was a danger to the family. She stayed there for the last years. She celebrated her birthday every year in the psychiatric hospital. It was not easy and when I graduated in photography, it was very emotional for her and me. This project uthando lwakho mama is to show that I am there for her, through thick and thin. I used the white cloth to show the peace and love she received from her family, to show that we will always be there for her, accept her, and love her forever no matter what happens in her life. 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Therefore me recreating Benoists iconic piece and utilizing myself as the subject is my way of reclaiming the power that has been taken away from black women and women depicted in mainstream art.\u003c\/p\u003e","brand":"Boitumelo Lamola","offers":[{"title":"Default Title","offer_id":46498312454365,"sku":"boitumelo-lamola_lady-liberated","price":4800.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/1684-21-2.jpg?v=1752856931"},{"product_id":"sharlene-khan-drowning-durga-viii","title":"Drowning Durga VIII","description":"\u003cp\u003e\"In the series \"\"When the moon waxes\"\", I interrogate my personal family history of poverty, alcoholism, emotional and physical abuse as they intersect with Indian Ocean migration, colonialism, apartheid and post-apartheid. My great-grandparents came to South Africa in 1860 as part of the British Indentured Labour system which, in the demise of Trans-Atlantic slavery, became the economic model of choice by the Empire. Escaping lives of poverty and arranged marriages in India, they found themselves plunged into a racially hierarchical society divorced from familial support systems. Since 2007 I have been recording my mothers’ stories of the hardships endured by the various women in our family – from her mother who once tried to drown her seven children because of hunger, to my mother’s own story of abuse in marriage which she was given into at the age of 13 to an aunt who set herself alight in front of her children or the seven sisters who hung themselves on a tree in our neighbourhood protesting their father. During this collection of oral history, I was intrigued to learn that my grandmother’s skills included making handmade needle-lace and since 2009 I’ve created visual scenes of my grandmother’s and mother’s lives in lace. As I have almost no images of my grandmother, I plunged into the archives at the Durban Documentation Centre finding visualisations of Indian women which ‘stood in’ for my grandmother, but which then tied in her personal stories to a larger collectivity of displaced migrant women.\u003c\/p\u003e\n\n\u003cp\u003eIn the photographic works \"\"Drowning Durgas\"\" (part of the \"\"When the moon waxes\"\" exhibition), I enact the role of a drowned Durga, in reference to the number of stories I grew up with of women who had killed themselves - drowning, burning and hanging - viewing suicide not as an act of cowardice, but as the only avenue seemingly available to women sometimes to escape the social restraints of their lives. During the Durga pooja (prayer), a devotee fasts to the goddess Durga so that she may take away their sins. Sometimes a clay effigy is made and submerged into water and Durga is said to do this, returning to her husband. In \"\"When the moon waxes\"\", Durga is not submerged, she doesn't take on other's sins and she does not return to her husband. She embodies both and all and is set adrift.  \u003c\/p\u003e\n\n\u003cp\u003eThe photography and video footage for this exhibition series has been shot in Mauritius, Zanzibar and Durban where Africans of Indian descent have rooted themselves post-indentureship. \"\"When the moon waxes\"\" also demonstrates the creativity and skills that migrant women have used to uplift their families and contribute to both intimate and wider economies, linking the struggles of a particular group and historical episode(s) to larger struggles of women nationally and transnationally.\"\u003c\/p\u003e","brand":"Sharlene Khan","offers":[{"title":"Default Title","offer_id":46498314584285,"sku":"sharlene-kahn_drowning-durga-VIII","price":12000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/05._drowning_durga_viii_sharlene_khan_2015.jpg?v=1752857010"},{"product_id":"lebo-thoka-bongeka-phungula","title":"Bongeka Phungula","description":"\u003cp\u003e28 years old, found murdered and discarded onto a dumpsite in Tladi with gunshot wounds in her head.\u003c\/p\u003e","brand":"Lebo Thoka","offers":[{"title":"Default Title","offer_id":46498314682589,"sku":"Lebo Thoka Bongeka Phungula","price":6500.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/1676-28-3.jpg?v=1752855565"},{"product_id":"martha-kubule-who-will-wipe-our-tears","title":"Who will wipe our tears","description":"\u003cp\u003e\"Inyembezi zethu zosulwa ngubani nah!?\u003c\/p\u003e\n\n\u003cp\u003e\"\"In faith we trust\"\" is a phrase that comes to mind  when we ask of the above. Faith and trust in the Lord, that is. This question above asks YOU, who will wipe our tears? Who is \"\"our\"\" here? Who has tears like permanent red markers on their faces? From tears cried in secret, in bedrooms and pillows and in the dark. If tears were the colour of blood would we know who is \"\"our\"\"?\n\u003cbr\u003eWomen and children in South Africa live in a reality of violence upon their bodies. Women are told to be most loyal to God, and the man. Women fill up places of faith and fill the rooms with their voices. Praising the Lord. Taking refuge from a harsh world on their bodies. Even in these places of worship, of refuge are not different from the world they seek refuge from. There are those same men, uncles, pastors, guy who touched her breast at the rank or the boy from school who once tried to put a finger in her vagina and she bled for the first time. Inside places of faith they too await for women. To open up, to be guided. Poor destitude lost sheep, but who have bodies that they can touch with their hands in secret. In silence, in darkness, inside the sounds of muffled cries and \"\"I will kill you if you tell anyone\"\". \n\u003cbr\u003eWho will wipe tears that have fallen in pain and are not seen. Not heard, silenced because \"\"the bible tells me so\"\". So if tears were the colour of blood would the \"\"our\"\"  in \"\"our tears\"\" be seen? 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