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Each voluntary participant sat with me and answered my many questions in a collaborative attempt to distil their experienced identity. The conversations were recorded in full. The aim of this extended process was to create a channel through which the subject could express themselves in a visual form a photographic portrait which is also a self-portrait. A representation from which both viewer and subject can reflect upon. My role: to be a medium, to be the translator. The camera's role: to be the bridge to you, the viewer. The machine (and its operator) becomes a compassionate player, not a taker not a shooter. You see, there are four participants here, and you, the viewer are one. The work speaks about stories of identity, our private internal world and the one we – consciously or not – choose to portray to the audience, the others. This external representation of self is so often based on our (traumatic) lived experiences. The \u003cem\u003eSafe Spaces\u003c\/em\u003e speaks of our vulnerability, a need for places of refuge, and the search for solace and community.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Leah Rachel Hawker","offers":[{"title":"Default Title","offer_id":47737346064605,"sku":"leah-hawker_ntokoto-the-golden-child","price":20870.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/the_golden_child_1_f284e712-b64b-4268-9f85-85e4176eac43.jpg?v=1775301876"},{"product_id":"textile-totem-ii-akhaya","title":"Textile Totem II: Akhaya","description":"","brand":"Tinyiko Makwakwa","offers":[{"title":"Default Title","offer_id":47737346982109,"sku":"tinyiko-makwakwa_textile-totem-ii-akhaya","price":45000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/akhaya_2023_47b721f0-9b6c-4540-bcbc-2314cc482d2f.png?v=1775302041"},{"product_id":"textile-totem-i-mintiro-ya-vulavula","title":"Textile Totem I: Mintiro ya vulavula","description":"","brand":"Tinyiko Makwakwa","offers":[{"title":"Default Title","offer_id":47737347014877,"sku":"tinyiko-makwakwa_textile-totem-i-mintiro-ya-vulavula","price":40500.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/minthiro_ya_vulavula_2023_643cbe43-c98a-45fa-94fa-0573ed8fbf0e.jpg?v=1775302047"},{"product_id":"slay-queen-ii","title":"Slay queen II","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\u003cp\u003eThis painting is my tribute to African women, celebrating their unique beauty and facial features through my stylized approach to painting. I emphasize their individuality and cultural richness while challenging conventional beauty standards. By using wool to depict the texture and strength of African hair, I aim to challenge societal norms and affirm the significance of hair as a crown for black women. Additionally, the inclusion of a headscarf symbolizes tradition and identity, further honoring African heritage. Ultimately, this artwork serves as my visual homage and statement of empowerment, recognizing the beauty and worth of African women in all their forms.\u003c\/p\u003e\u003c\/div\u003e","brand":"Yakno Abasi Ene","offers":[{"title":"Default Title","offer_id":47737347703005,"sku":"yakno-abasi-ene_slay-queen-ii","price":7000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/img_4398_1_06b4dc0c-a4e1-4c37-813c-9b421e87d989.jpg?v=1775302076"},{"product_id":"chloe-the-speaker","title":"CHLOE \\ The Speaker","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\r\n\u003cp\u003eI am interested in how events shape who we are and how we behave. This, in turn, shapes our society, one riddled with violence and loneliness. We have evidence of how art can mobilize audiences: it served theology for hundreds of years. We can do this again for contemporary needs by using it as a mechanism for empathy. In Safe Spaces (comprising of 10 artworks including this one), I draw from psychology and anthropology in an interdisciplinary body of work that focuses on young women. Just passing the cusp of adolescence into adulthood, the GenZ participants in these portraits responded to an open call for this project. The works consists of constructed portraits and handcrafted books. They are diptychs of a kind: they accompany each other, and they invite the viewer to not just reflect on the subjects identity but potentially on their own as well. The books in this body of work share intimate stories. The portraits are visual translations of their contents. Each voluntary participant sat with me and answered my many questions in a collaborative attempt to distil their experienced identity. The conversations were recorded in full. The aim of this extended process was to create a channel through which the subject could express themselves in a visual form a photographic portrait which is also a self-portrait. A representation from which both viewer and subject can reflect upon. My role: to be a medium, to be the translator. The camera's role: to be the bridge to you, the viewer. The machine (and its operator) becomes a compassionate player, not a taker not a shooter. You see, there are four participants here, and you, the viewer are one. The work speaks about stories of identity, our private internal world and the one we consciously or not choose to portray to the audience, the others. This external representation of self is so often based on our (traumatic) lived experiences. The \u003cem\u003eSafe Spaces\u003c\/em\u003e speaks of our vulnerability, a need for places of refuge, and the search for solace and community.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Leah Rachel Hawker","offers":[{"title":"Default Title","offer_id":47737348096221,"sku":"leah-rachel-hawker_chloe-the-speaker","price":20870.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/chloe_the_speaker_diptych_1_cf54c694-60e5-4e0e-99e0-86ca8cc2eabd.jpg?v=1775302115"},{"product_id":"olive-softly","title":"OLIVE \\ Softly","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\r\n\u003cp\u003eI am interested in how events shape who we are and how we behave. This, in turn, shapes our society, one riddled with violence and loneliness. We have evidence of how art can mobilize audiences: it served theology for hundreds of years. We can do this again for contemporary needs by using it as a mechanism for empathy. In Safe Spaces (comprising of 10 artworks including this one), I draw from psychology and anthropology in an interdisciplinary body of work that focuses on young women. Just passing the cusp of adolescence into adulthood, the GenZ participants in these portraits responded to an open call for this project. The works consists of constructed portraits and handcrafted books. They are diptychs of a kind: they accompany each other, and they invite the viewer to not just reflect on the subjects identity but potentially on their own as well. The books in this body of work share intimate stories. The portraits are visual translations of their contents. Each voluntary participant sat with me and answered my many questions in a collaborative attempt to distil\u0026amp; their experienced identity. The conversations were recorded in full. The aim of this extended process was to create a channel through which the subject could express themselves in a visual form a photographic portrait which is also a self-portrait. A representation from which both viewer and subject can reflect upon. My role: to be a medium, to be the translator. The camera's role: to be the bridge to you, the viewer. The machine (and its operator) becomes a compassionate player, not a taker not a shooter. You see, there are four participants here, and you, the viewer are one. The work speaks about stories of identity, our private internal world and the one we consciously or not choose to portray to the audience, the others. This external representation of self is so often based on our (traumatic) lived experiences. The em\u0026gt;Safe Spaces\u0026amp; speaks of our vulnerability, a need for places of refuge, and the search for solace and community.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Leah Rachel Hawker","offers":[{"title":"Default Title","offer_id":47737348161757,"sku":"leah-rachel-hawker_olive-softly","price":20870.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/olive_softly_diptych_1_08b379a4-9391-4abf-9c07-ab9943a89e70.jpg?v=1775302138"},{"product_id":"amy-ladylike","title":"AMY \\ Ladylike","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\r\n\u003cp\u003eI am interested in how events shape who we are and how we behave. This, in turn, shapes our society, one riddled with violence and loneliness. We have evidence of how art can mobilize audiences: it served theology for hundreds of years. We can do this again for contemporary needs by using it as a mechanism for empathy. In Safe Spaces (comprising of 10 artworks including this one), I draw from psychology and anthropology in an interdisciplinary body of work that focuses on young women. Just passing the cusp of adolescence into adulthood, the GenZ participants in these portraits responded to an open call for this project. The works consists of constructed portraits and handcrafted books. They are diptychs of a kind: they accompany each other, and they invite the viewer to not just reflect on the subjects identity but potentially on their own as well. The books in this body of work share intimate stories. The portraits are visual translations of their contents. Each voluntary participant sat with me and answered my many questions in a collaborative attempt to distil\u0026amp; their experienced identity. The conversations were recorded in full. The aim of this extended process was to create a channel through which the subject could express themselves in a visual form a photographic portrait which is also a self-portrait. A representation from which both viewer and subject can reflect upon. My role: to be a medium, to be the translator. The camera's role: to be the bridge to you, the viewer. The machine (and its operator) becomes a compassionate player, not a taker not a shooter. You see, there are four participants here, and you, the viewer are one. The work speaks about stories of identity, our private internal world and the one we consciously or not choose to portray to the audience, the others. This external representation of self is so often based on our (traumatic) lived experiences. The em\u0026gt;Safe Spaces\u0026amp; speaks of our vulnerability, a need for places of refuge, and the search for solace and community.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Leah Rachel Hawker","offers":[{"title":"Default Title","offer_id":47737348227293,"sku":"leah-rachel-hawker_amy-ladylike","price":20870.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/amy_ladylike_diptych_1_dcc5e575-fc23-4b3a-ac5b-81df2b19ee61.jpg?v=1775302165"},{"product_id":"maia-joux-maia","title":"MAIA \\ - Joux Maia","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\r\n\u003cp\u003eI am interested in how events shape who we are and how we behave. This, in turn, shapes our society, one riddled with violence and loneliness. We have evidence of how art can mobilize audiences: it served theology for hundreds of years. We can do this again for contemporary needs by using it as a mechanism for empathy. In Safe Spaces (comprising of 10 artworks including this one), I draw from psychology and anthropology in an interdisciplinary body of work that focuses on young women. Just passing the cusp of adolescence into adulthood, the GenZ participants in these portraits responded to an open call for this project. The works consists of constructed portraits and handcrafted books. They are diptychs of a kind: they accompany each other, and they invite the viewer to not just reflect on the subjects identity but potentially on their own as well. The books in this body of work share intimate stories. The portraits are visual translations of their contents. Each voluntary participant sat with me and answered my many questions in a collaborative attempt to distil their experienced identity. The conversations were recorded in full. The aim of this extended process was to create a channel through which the subject could express themselves in a visual form a photographic portrait which is also a self-portrait. A representation from which both viewer and subject can reflect upon. My role: to be a medium, to be the translator. The camera's role: to be the bridge to you, the viewer. The machine (and its operator) becomes a compassionate player, not a taker not a shooter. You see, there are four participants here, and you, the viewer are one. The work speaks about stories of identity, our private internal world and the one we consciously or not choose to portray to the audience, the others. This external representation of self is so often based on our (traumatic) lived experiences. The \u003cem\u003eSafe Spaces\u003c\/em\u003e speaks of our vulnerability, a need for places of refuge, and the search for solace and community.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Leah Rachel Hawker","offers":[{"title":"Default Title","offer_id":47737348260061,"sku":"leah-rachel-hawker_maia-joux-maia","price":20870.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/main_joux_maia_diptych_1_ca0c9294-32c7-4a23-8e8f-ac84d0c9b3a8.jpg?v=1775302193"},{"product_id":"tahirah-baptism-prayer-1","title":"TAHIRAH \\ Baptism Prayer #1","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\r\n\u003cp\u003eI am interested in how events shape who we are and how we behave. This, in turn, shapes our society, one riddled with violence and loneliness. We have evidence of how art can mobilize audiences: it served theology for hundreds of years. We can do this again for contemporary needs by using it as a mechanism for empathy. In Safe Spaces (comprising of 10 artworks including this one), I draw from psychology and anthropology in an interdisciplinary body of work that focuses on young women. Just passing the cusp of adolescence into adulthood, the GenZ participants in these portraits responded to an open call for this project. The works consists of constructed portraits and handcrafted books. They are diptychs of a kind: they accompany each other, and they invite the viewer to not just reflect on the subjects identity but potentially on their own as well. The books in this body of work share intimate stories. The portraits are visual translations of their contents. Each voluntary participant sat with me and answered my many questions in a collaborative attempt to distil their experienced identity. The conversations were recorded in full. The aim of this extended process was to create a channel through which the subject could express themselves in a visual form a photographic portrait which is also a self-portrait. A representation from which both viewer and subject can reflect upon. My role: to be a medium, to be the translator. The camera's role: to be the bridge to you, the viewer. The machine (and its operator) becomes a compassionate player, not a taker not a shooter. You see, there are four participants here, and you, the viewer are one. The work speaks about stories of identity, our private internal world and the one we consciously or not choose to portray to the audience, the others. This external representation of self is so often based on our (traumatic) lived experiences. The \u003cem\u003eSafe Spaces\u003c\/em\u003e speaks of our vulnerability, a need for places of refuge, and the search for solace and community.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Leah Rachel Hawker","offers":[{"title":"Default Title","offer_id":47737348423901,"sku":"leah-rachel-hawker_tahirah-baptism-prayer-1","price":20870.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/tahirah_baptism_prayer_1_diptych_1_a6f815d2-d9d4-449b-89f8-d3e328fd1b73.jpg?v=1775302221"},{"product_id":"still-life","title":"Still Life","description":"still life belgium black and white photography Buizingen supper food","brand":"Caroline Sohie","offers":[{"title":"Default Title","offer_id":47737374343389,"sku":"caroline-sohie_still-life","price":3200.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7261\/1293\/files\/still-life_-caroline-sohie_1_aa1eab29-7329-4651-b7ff-6113a9fb2f32.jpg?v=1775305167"},{"product_id":"do-not-despair","title":"Do Not Despair","description":"\u003cp\u003e\u003cem\u003eDo Not Despair\u003c\/em\u003e portrays two women embracing one another in comfort. 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