art-img
Chuma + Sichumile Adam
South Africa

Chuma Adam and Sichumile Adam (both b. 2001) are a dynamic sister duo of emerging contemporary visual artists based in Johannesburg, South Africa. Having both graduated with Honours degrees in Fine Arts from the University of the Witwatersrand (Wits), they operate as celebrated individual practitioners and as co-founders of the prominent, all-women Veto Collective. In addition to their standalone studio practices, they actively produce collaborative fine artworks under the joint moniker Chuma + Sichumile Adam, blending their vastly different visual languages to map themes of sisterhood, shared domestic memory, and Black womanhood.

When working together as a duo, the sisters bridge Chuma's deep abstract restraint with Sichumile's rich, decorative figurative impulses. A landmark example of their shared output includes celebrated paintings like Where The Bees Don't Sting, which famously marked Chuma's return to color painting after a six-year focus on monochromatic abstraction. Their joint works explore the patient beautification of gardens, familial gift-giving, and matriarchal lineages.

art-img
Chuma + Sichumile Adam

Chuma Adam and Sichumile Adam (both b. 2001) are a dynamic sister duo of emerging contemporary visual artists based in Johannesburg, South Africa. Having both graduated with Honours degrees in Fine Arts from the University of the Witwatersrand (Wits), they operate as celebrated individual practitioners and as co-founders of the prominent, all-women Veto Collective. In addition to their standalone studio practices, they actively produce collaborative fine artworks under the joint moniker Chuma + Sichumile Adam, blending their vastly different visual languages to map themes of sisterhood, shared domestic memory, and Black womanhood.

When working together as a duo, the sisters bridge Chuma's deep abstract restraint with Sichumile's rich, decorative figurative impulses. A landmark example of their shared output includes celebrated paintings like Where The Bees Don't Sting, which famously marked Chuma's return to color painting after a six-year focus on monochromatic abstraction. Their joint works explore the patient beautification of gardens, familial gift-giving, and matriarchal lineages.

Artwork