Timilehin Oludare
Nigeria
Timilehin Oludare
Artwork
Timilehin Oludare Osanyintolu (b. 2002) is a multimedia artist and art facilitator based in Lagos, Nigeria. His practice spans drawing, sound, scent, and sculpture, often engaging themes of surrealism, absurdity, play, and escape. He is a founding member of Ala Praxis, a research-driven artist collective exploring the intersections of culture, ecology, and technology.
Internationally, Osanyintolu’s work has been exhibited at Boomer Gallery (London, 2020), the Nomascape project (Chicago, 2020), ART-TO-GO (Basel, 2023), and in Sound Laboratory, a group exhibition by Foreign Objekt and the PostHuman Art Network (Berlin, 2023). In 2024, he participated in the S+T+ARTS4AFRICA artist residency in Dar es Salaam, Tanzania, where his collective Ala Praxis investigated the socio-ecological impacts of sand mining on coastal communities.
His accolades include the Foreign Objekt Research Residency, European Cultural Academy Scholarship, and being a semi-finalist for the Access ART X Prize. His work and curatorial engagements have garnered attention for their sincerity, experimentation, and fluid engagement with both material and meaning.
Timilehin Oludare Osanyintolu (b. 2002) is a multimedia artist and art facilitator based in Lagos, Nigeria. His practice spans drawing, sound, scent, and sculpture, often engaging themes of surrealism, absurdity, play, and escape. He is a founding member of Ala Praxis, a research-driven artist collective exploring the intersections of culture, ecology, and technology.
Internationally, Osanyintolu’s work has been exhibited at Boomer Gallery (London, 2020), the Nomascape project (Chicago, 2020), ART-TO-GO (Basel, 2023), and in Sound Laboratory, a group exhibition by Foreign Objekt and the PostHuman Art Network (Berlin, 2023). In 2024, he participated in the S+T+ARTS4AFRICA artist residency in Dar es Salaam, Tanzania, where his collective Ala Praxis investigated the socio-ecological impacts of sand mining on coastal communities.
His accolades include the Foreign Objekt Research Residency, European Cultural Academy Scholarship, and being a semi-finalist for the Access ART X Prize. His work and curatorial engagements have garnered attention for their sincerity, experimentation, and fluid engagement with both material and meaning.

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