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Home / Editorial / Wonder In Sonder: Take a walk with me

Wonder In Sonder: Take a walk with me

by Latitudes Editorial
Wonder In Sonder: Take a walk with me

Wonder In Sonder: Take a walk with me

presented by Sinki Makubu


_______


“Take a walk with me” An invitation to accompany another through the paths they navigate. This exhibition extends that call, walking alongside narratives shaped by South Africa’s enduring traumas and the identities forged within them. It retraces the long walk once framed as a journey to freedom. A walk that promised unity and equality but left uneven footprints on a divided land.


Thabo Mbeki’s 1996 I Am an African speech captured the dream of shared belonging: “South Africa belongs to all who live in it, black and white.” Yet decades later, inequality persists. The promise of freedom has become a daily balancing act—between aspiration and limitation, belonging and exclusion. The imagined “rainbow nation” remains fractured, its hues dimmed by enduring disparities that live on in economy, education, and everyday life.


Wonder in Sonder walks through this tension, asking: what does it mean to move through a country still stitched together by old seams of separation? Across three interwoven spectrums; homestand, self-actualisation, and spiritual fulfilment. The exhibition explores how South Africans rebuild, redefine, and reclaim meaning within inherited boundaries.
Homestand reflects on resourcefulness, how communities make do with what lies within reach, creating worlds from limited means. It considers the pride, labour, and memory embedded in the everyday, and how people craft belonging even within constraint.
Self-actualisation turns inward, tracing how identity unfolds within and against communal expectation. It reflects on what it means to walk tall in spaces that question one’s right to be. How survival becomes a choreography of negotiation between vulnerability and strength, self and society.


Spiritual fulfilment anchors the final leg of this walk. In Africa, spirituality moves beside daily life, sometimes as guide, sometimes as warning. It shapes how people navigate the visible and the unseen, grounding faith, doubt, and renewal within the same step.
Wonder in Sonder reframes walking as both method and metaphor: a way of seeing, feeling, and being-with. To walk is to listen, to accompany, to remember. It suggests that freedom is not a destination reached, but a movement continuously practised. A rhythm carried in the body and shared across generations.


In a country where walking has always been political, whether to march, to migrate, to seek work, or to return home. Every step carries history.


This exhibition invites viewers to slow their pace, to notice. Wonder in Sonder is a walk through that shared terrain: uneven, tender, and unending.

Keabetswe Seema,
…Until Now The Kingdom Of Heaven Suffereth Violence and The Violent Take It By Force, 2025, Oil-based monoprint and collage on Fabriano, 85 x 71 cm, Edition 1/1,
R26 000 ex. VAT, unframed.

Oratile Papi Konopi,
Airtime ya Ênê, Scratch “UKHULUMA INTO ENGAPHELI” & “UTLWA, 2022,
Digital print on dibond with gold leaf, 260 x 28 cm / 170 x 91 x 28cm,
R45 000 ex. VAT, unframed.

EXHIBITION CURATOR, SINKI MAKUBU


b. 1995, Pretoria, South Africa.


Lives and works in Pretoria, South Africa.


Sinki is an emerging cultural practitioner whose work centres on storytelling and empowering artists through platforms that spotlight contemporary art and creative opportunities.


Through Berk Studious, Sinki bridges knowledge gaps, strengthens community ties, and equips emerging artists with tools for sustainable practice. Their curatorial work with BKhz amplifies emerging voices, contributing to exhibitions and projects that prioritise self-expression and transformation. Committed to accessibility, Sinki builds inclusive spaces where creativity thrives.

Mbulelo Lokoto,
Boy, Khaw'th ndibambe zibembini-zibentathu, 2025,
Oil paints on canvas, 80 × 60 cm,
R26 500 ex. VAT, unframed.

Simphiwe Ndzube,
Seated lady, 2025,
Oil on canvas, 25 x 20cm,
R110 000 ex. VAT, unframed.

Wonder In Sonder : A way of seeing, feeling,  and being-with.

Sichumile Adam,
Joburg Girl, 2025,
Acrylic paint, glass beads and fabric on canvas, 78 x 130 cm,
R38 000 ex. VAT, framed.

Kimberly Isibusiso Mduli,
Forever Ago, 2024,
Mixed media on board, A3 (29.7 x 42 cm),
R6 000 ex. VAT, framed.

Mbali Nqobile Mdikane,
Wild and Holy, 2025,
Oil and acrylic on canvas, 60 x 45 cm,
R9 500 excluding VAT, unframed.

Leonardo Sitoe,
Folly, 2025,
Wood cut-outs, soil, leaves, Oil and acrylic on canvas, 230 x 120 cm,
R21 000 ex. VAT, unframed.

Themba Mwanza,
Do I know you from somewhere?,
Oil on Canvas, 101.5 x 76.5 cm,
R32 000 ex. VAT, unframed.

Mashudu Nevhutalu, Hayani (Home), Oil on canvas, 101.6 x 76.2 cm, 2023, R65 000 ex. VAT, framed, CONTACT TO BUY.

Rebaone Finger,
Fundamental: A Beluga Caviar, 2025
Ceramic Sculpture, 28.3 x 20.5 cm
R15 000 ex. VAT, unframed.

Yonela Doda,
Glory, 2025,
Collage with Red and Blue Thread on Printed Canvas, 21 x 15 cm
R5 000 ex. VAT, unframed.

Jakinda Boya,
Do you love her now?, 2025,
Acrylic on Stretched Canvas, 40 x 50 x 1.5 cm,
R10 000 ex. VAT, unframed.

Thando Salman,
A silence I could carry, 2025,
Oil on Canvas, 64 x 64 cm,
R30 000 ex. VAT, unframed.

Masindi Mbolekwa, Washing of The Celebrant, 2023, Oil and Earth on Canvas, 25.7 x 25.6 cm, R4 700 ex VAT unframed, CONTACT TO BUY.

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Latitudes CuratorLab is proudly presented by Rand Merchant Bank.

In partnership with Art School Africa.




05 Nov 2025

Tags: Art News, CuratorLab, Features
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