articles-page
Latitudes: A Shared Vision for African Art
Who is building Africa’s art ecosystem?
Out of time, into history, and towards a speculative future: Reverse Futures at JCAF
'Is he going to sell?!' The cost of performance art in today's art landscape
Two Ways of Keeping
How Art Stokvels Can Change Who Gets To Own Art
Cultural Foundations II: The Evidence of Who We Are
Meet the 2026 Top 5 ANNA Award Finalists!
Santu Mofokeng Foundation Photography Prize
African art’s foothold in Basel’s stratified market
As the spirit rises, it deepens: Bev Butkow’s ‘Fire My Spirit’ at the University of Johannesburg
The Fragility of Memory: Archaeology, Preservation, and the Construction of Identity
RMB Latitudes CuratorLab 2026
A more inclusive vision of South African art at RMB Latitudes
Meet the top 5 finalists
INDEX: INDEPENDENT ARTIST EXHIBITION presented by National Arts Council
Anna Award 2026
South Africa sets out vision and leadership for the Venice Biennale 2026
South Africa is preparing to take the global stage once again. Art Periodic South Africa (A°P), in partnership with the Department of Sport, Arts and Culture (DSAC) and with Latitudes Online as Strategic and Media Partner, is proud to unveil the governance framework for the South African Pavilion at the 61st International Art Exhibition, La Biennale di Venezia (2026).
What’s driving the democratisation of our art market?
The accessibility of art has been a perennial topic of discussion in art circles. While art galleries and museums are theoretically open to all, social, economic, educational, cultural, class, and racial barriers often complicate access in practice.
Interview with Japan-based curator and collector Dexter Wimberly
Latitudes’ Chelsea Selvan caught up with Dexter Wimberly, the American entrepreneur and Hayama, Japan–based curator redefining contemporary narratives.
When We Mistake the Map for the Territory…
To mark the opening of the RMB Latitudes Art Fair 2025, Marcus Neustetter—supported by the Austrian Cultural Forum Pretoria—presented a live drawing and building projection. Rooted in his long-standing preoccupation with maps and the lines that divide and occupy territories, the work responds to today’s metacrisis with a provocative question: Are we following pre-drawn maps so rigidly that we no longer perceive what is truly happening in the territory itself?
RMB Investment Insights | Next-Gen Collectors: Separating Myth from Market Reality
We dig into how Millennials and Gen Z are redefining collecting: preferring more accessible price points, buying through auctions, supporting newer galleries, and leaning into art fairs not just for browsing but for community, identity, and story.
Latitudes: A Shared Vision for African Art
Who is building Africa’s art ecosystem?
Out of time, into history, and towards a speculative future: Reverse Futures at JCAF
'Is he going to sell?!' The cost of performance art in today's art landscape
Two Ways of Keeping
How Art Stokvels Can Change Who Gets To Own Art
Cultural Foundations II: The Evidence of Who We Are
Meet the 2026 Top 5 ANNA Award Finalists!
Santu Mofokeng Foundation Photography Prize
African art’s foothold in Basel’s stratified market
As the spirit rises, it deepens: Bev Butkow’s ‘Fire My Spirit’ at the University of Johannesburg
The Fragility of Memory: Archaeology, Preservation, and the Construction of Identity
RMB Latitudes CuratorLab 2026
A more inclusive vision of South African art at RMB Latitudes
Meet the top 5 finalists
INDEX: INDEPENDENT ARTIST EXHIBITION presented by National Arts Council
Anna Award 2026
South Africa sets out vision and leadership for the Venice Biennale 2026
South Africa is preparing to take the global stage once again. Art Periodic South Africa (A°P), in partnership with the Department of Sport, Arts and Culture (DSAC) and with Latitudes Online as Strategic and Media Partner, is proud to unveil the governance framework for the South African Pavilion at the 61st International Art Exhibition, La Biennale di Venezia (2026).
What’s driving the democratisation of our art market?
The accessibility of art has been a perennial topic of discussion in art circles. While art galleries and museums are theoretically open to all, social, economic, educational, cultural, class, and racial barriers often complicate access in practice.
Interview with Japan-based curator and collector Dexter Wimberly
Latitudes’ Chelsea Selvan caught up with Dexter Wimberly, the American entrepreneur and Hayama, Japan–based curator redefining contemporary narratives.
When We Mistake the Map for the Territory…
To mark the opening of the RMB Latitudes Art Fair 2025, Marcus Neustetter—supported by the Austrian Cultural Forum Pretoria—presented a live drawing and building projection. Rooted in his long-standing preoccupation with maps and the lines that divide and occupy territories, the work responds to today’s metacrisis with a provocative question: Are we following pre-drawn maps so rigidly that we no longer perceive what is truly happening in the territory itself?
RMB Investment Insights | Next-Gen Collectors: Separating Myth from Market Reality
We dig into how Millennials and Gen Z are redefining collecting: preferring more accessible price points, buying through auctions, supporting newer galleries, and leaning into art fairs not just for browsing but for community, identity, and story.
