Wayne Barker, born in Pretoria, South Africa, in 1963, is a fine artist based in Komatipoort. He rose to prominence in the late ‘80s, at the height of the political unrest during apartheid. He remains one of the most prolific and influential artists to have emerged from the country.
He works in various mediums, including but not limited to painting, printmaking, sculpture, video, performance and installation. In addition to collaborations with other artists, Barker has collaborated with the Qubeka Beadwork Studio based in Cape Town, South Africa, to realize large-scale glass beadworks. Major concerns have included the legacy of colonialism in South Africa, issues of land and contestation – as evidenced in works referencing the paintings of JH Pierneef – issues around race, reconciliation and accountability as well as a sensitivity to humanist concerns that border on the poetic.
His works have influenced contemporary art practice in South Africa, with several of his contemporaries and younger artists citing his work as turning points in perspective and practice.
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Wayne Barker, born in Pretoria, South Africa, in 1963, is a fine artist based in Komatipoort. He rose to prominence in the late ‘80s, at the height of the political unrest during apartheid. He remains one of the most prolific and influential artists to have emerged from the country.
He works in various mediums, including but not limited to painting, printmaking, sculpture, video, performance and installation. In addition to collaborations with other artists, Barker has collaborated with the Qubeka Beadwork Studio based in Cape Town, South Africa, to realize large-scale glass beadworks. Major concerns have included the legacy of colonialism in South Africa, issues of land and contestation – as evidenced in works referencing the paintings of JH Pierneef – issues around race, reconciliation and accountability as well as a sensitivity to humanist concerns that border on the poetic.
His works have influenced contemporary art practice in South Africa, with several of his contemporaries and younger artists citing his work as turning points in perspective and practice.
