Natasha Evans, Born 1978 in Mutare, Zimbabwe, rasied living in Lusaka, Zambia. She has a BA in Illustration from Bournemouth. Natasha has taken part in multiple group exhibitions and last year November she showed a collection of work in her fifth solo exhibition in Lusaka. Previous Natasha ran a art framing and printing business along side her artistic practice. Internationally Natasha has presented works at The Revelation Biennial at the Grand Palais in Paris and Africa Basel. She works in mixed media, drawing, printing, painting and installation influenced by the abstract and figurative movements.
Being influenced from artists like Anni Albers, Diedrick Brackens, Mark Rothko and William Kentridge. She is drawing from social and cultural relevances that symbolise ideas within a narrative about belonging, value, ownership, human connection, absence and identity. Natasha’s working practice, fragments of textile integrated into hanging large painting. Her assemblage is fragmented to deep and earthy tones to be used to represent the earth around Zambia, where she confronts a place of belonging, treasure, extraction and value. Natasha bores resources from her physical, social and cultural environment and is interested in the interplay of the shared human experience within these.
×
Natasha Evans, Born 1978 in Mutare, Zimbabwe, rasied living in Lusaka, Zambia. She has a BA in Illustration from Bournemouth. Natasha has taken part in multiple group exhibitions and last year November she showed a collection of work in her fifth solo exhibition in Lusaka. Previous Natasha ran a art framing and printing business along side her artistic practice. Internationally Natasha has presented works at The Revelation Biennial at the Grand Palais in Paris and Africa Basel. She works in mixed media, drawing, printing, painting and installation influenced by the abstract and figurative movements.
Being influenced from artists like Anni Albers, Diedrick Brackens, Mark Rothko and William Kentridge. She is drawing from social and cultural relevances that symbolise ideas within a narrative about belonging, value, ownership, human connection, absence and identity. Natasha’s working practice, fragments of textile integrated into hanging large painting. Her assemblage is fragmented to deep and earthy tones to be used to represent the earth around Zambia, where she confronts a place of belonging, treasure, extraction and value. Natasha bores resources from her physical, social and cultural environment and is interested in the interplay of the shared human experience within these.
