Stephané Conradie
Stephané Edith Conradie (b. 1990 Namibia) is an artist living and working in Cape Town, South Africa. She is a lecturer in printmedia at Michaelis School of Fine Art, University of Cape Town, South Africa. Although primarily a trained printmaker, she is known for her bricolage assemblages. Her research and practice stem from a fascination with how people arrange sentimental objects in their homes, particularly in her family member’s homes in Namibia and South Africa. Her ornate sculptures and prints examine the histories of colonialism and creolisation embedded in domestic material culture. She is currently completing her PhD in Visual Arts at the University of Stellenbosch, where she completed her MA in Visual Arts (Art Education) and her BA in Visual Arts (Fine Arts). Most recently Conradie was included in Materiality (2020) an exhibition at the Iziko National Gallery, the Megalo International Print Prize 2020, Kingston, Australia and Black Luminosity (2021) curated by Gcotyelwa Mashiqa at SMAC Gallery in Stellenbosch, The vibration of things, The 15th edition of the Triennial of Small Sculpture, Fellbach, Germany (2022), (IM)MATERIALITY, Águeda Arts Center, Portugal (2022) and Souvenir, a solo exhibition at Whatiftheworld, Cape Town (2022). Conradie’s work is held in several private and public collections namely the Leridon Collection, France, GAUTREAUX Collection, Kansas City and UNISA Art Gallery, South Africa.
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