Nomvula Hoko b. 1996,, South Africa, She is a Johannesburg-based visual artist and educator whose practice serves as a conduit between the physical and spiritual realms. Born in Sebokeng and currently residing in Soweto, Hoko officially embarked on her artistic journey in 2018. Her early development was shaped by the foundational mentorship of Senzeni Marasela, which ignited her exploration of identity and ancestral calling.

Long before entering formal academia, Hoko developed a profound affinity for printmaking through the mentorship of Luzuko Dayile. It was under Dayile’s guidance that she first mastered the technical complexities of the medium, allowing printmaking to evolve into her primary linguistic tool and a profound form of personal expression.

Hoko’s academic career began in 2022 and continues to the present, providing a theoretical framework for her established technical skills. She earned a Diploma in Fine Arts from Walter Sisulu University, followed by an Advanced Diploma in Fine and Applied Arts from Tshwane University of Technology. She is currently furthering her scholarly and creative investigations as a BA Honours in Visual Arts candidate at the University of Johannesburg.

Her professional experience reflects a deep commitment to the South African arts ecosystem. Hoko has served as an assistant printmaker for Blessing Ngobeni at Art Lefatshe and contributed to the education sector at PJ Simelani  Secondary School. In 2024, she acted as a printmaker facilitator for the Art and Ubuntu Trust, while also curating a group exhibition and hosting workshops that bridge the gap between creative practice and art business management.

Hoko’s contributions have been widely recognized through several prestigious accolades. She received the Best 2D Art Award at the 2023 MEC Eastern Cape Heritage Awards and was honored for Best Arts and Culture Management in 2026. Her 2023 academic solo exhibition, Woman in Process, held at The Artroom Gallery, served as a pivotal exploration of womanhood and spiritual transformation, framing her personal odyssey through the lens of formal research.

A member of The Printmaking Girls collective, Hoko remains a dedicated advocate for the medium in South Africa. Her practice continues to evolve, utilizing cultural heritage and ancestral themes to create poignant works that act as a bridge between the viewer and the intangible dimensions of the soul.