Dale Washkansky, born 1980 in Cape Town, South Africa, is currently a PhD candidate at the Michaelis School of Fine Art at the University of Cape Town (UCT) where he also completed his MFA (2010) and BA (FA) (2006).
His solo shows include: Knowing and Un-Knowing: The Affective Relations of Images (2023) at the Michaelis Gallery, Ra Ra Ra (2016) at Youngblood Gallery, Mime (2013) at Commune 1 Gallery and A Space Between (2011) which was exhibited at the AVA Gallery and then re-shown at the Cape Town Holocaust and Genocide Centre. Washkansky has participated in several group exhibitions, most recently Vital Signs (2024) at the Michaelis Gallery, Offcuts (2024) at the AVA Gallery, Interlude (2012) at 196 Victoria Rd, Nano 1.3 (2019) and Nano 1.2 (2018) at the Barnard Gallery. Washkansky has collaborated on several curatorial projects including: Death Speaks (2015) at 6 Spin St. with Suzanne Duncan and Alice Toich, Swallow My Pride (2010) at Blank Projects with Margaret Stone, Lizza Littlewort and William Martin.
He was also co-curator with Dr Siona O’Connell for an exhibition at !Kwa ttu San Cultural Centre (2008). In 2010 Washkansky was employed as the co-curator, with Dr. O’Connell, at the Centre for African Studies (CAS) at UCT. Several shows were put on during this time the most prominent Shared Legacies: the Alfred Duggan Cronin and Edward S. Curtis Photographs, which was then exhibited at Kimberly and Grahamstown. In 2012 Washkansky was employed at the Centre for Curating the Archive (CCA) at UCT where he co-curated the exhibition Spring Queen: The Staging of the Glittering Proletariat with Project Director Dr. O’Connell. The exhibition was shown at the Iziko Bertram House Annex Gallery and the District 6 Homecoming Centre.
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Dale Washkansky, born 1980 in Cape Town, South Africa, is currently a PhD candidate at the Michaelis School of Fine Art at the University of Cape Town (UCT) where he also completed his MFA (2010) and BA (FA) (2006).
His solo shows include: Knowing and Un-Knowing: The Affective Relations of Images (2023) at the Michaelis Gallery, Ra Ra Ra (2016) at Youngblood Gallery, Mime (2013) at Commune 1 Gallery and A Space Between (2011) which was exhibited at the AVA Gallery and then re-shown at the Cape Town Holocaust and Genocide Centre. Washkansky has participated in several group exhibitions, most recently Vital Signs (2024) at the Michaelis Gallery, Offcuts (2024) at the AVA Gallery, Interlude (2012) at 196 Victoria Rd, Nano 1.3 (2019) and Nano 1.2 (2018) at the Barnard Gallery. Washkansky has collaborated on several curatorial projects including: Death Speaks (2015) at 6 Spin St. with Suzanne Duncan and Alice Toich, Swallow My Pride (2010) at Blank Projects with Margaret Stone, Lizza Littlewort and William Martin.
He was also co-curator with Dr Siona O’Connell for an exhibition at !Kwa ttu San Cultural Centre (2008). In 2010 Washkansky was employed as the co-curator, with Dr. O’Connell, at the Centre for African Studies (CAS) at UCT. Several shows were put on during this time the most prominent Shared Legacies: the Alfred Duggan Cronin and Edward S. Curtis Photographs, which was then exhibited at Kimberly and Grahamstown. In 2012 Washkansky was employed at the Centre for Curating the Archive (CCA) at UCT where he co-curated the exhibition Spring Queen: The Staging of the Glittering Proletariat with Project Director Dr. O’Connell. The exhibition was shown at the Iziko Bertram House Annex Gallery and the District 6 Homecoming Centre.
